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	<title>Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik &#8211; Köln Rodenkirchen</title>
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	<description>Tanz - Performance - Kunst &#124; Ein von Choreograf*innen selbstverwaltetes Netzwerk und Produktionszentrum in Köln Rodenkirchen</description>
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	<title>Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik &#8211; Köln Rodenkirchen</title>
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		<title>Teatro 4Garoupas &#8220;BLOOOM&#8221;</title>
		<link>https://barnescrossing.de/en/english/teatro-4garoupas-blooom-2/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Wed, 23 Apr 2025 15:49:06 +0000</pubDate>
				<category><![CDATA[current events]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">http://avengers-projekt.info/?p=7418</guid>

					<description><![CDATA[<p>Saturday  May 16th 2026, 4:00 pm &#038; Sunday May 17th 2026, 4:00 pm<br />
Dance theatre for the whole family (for children aged 5 and above)</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/english/teatro-4garoupas-blooom-2/">Teatro 4Garoupas &#8220;BLOOOM&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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<h2 data-renderer-start-pos="1"><strong data-renderer-mark="true">Teatro 4Garoupas</strong></h2>
<h2 data-renderer-start-pos="19"><strong data-renderer-mark="true">“BLOOOM”</strong></h2>
<p>&nbsp;</p>
<p>&nbsp;</p>
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<p><strong>Dance theatre for the whole family (for children aged 5 and above)</strong></p>
<p data-renderer-start-pos="120">Saturday  May 16th 2026, 4:00 pm<br />Sunday May 17th 2026, 4:00 pm</p>
<p>&nbsp;</p>
<p><strong>A poetic play about growing up, transformation and the search for one&#8217;s place in the world.</strong></p>
<p>Meet Gargadenia, a curious girl who, like Alice in Wonderland, stumbles into a mysterious and surprising world of nature. Like the flowers around her, she wants to put down roots and find her place. But what does it really take to conquer a strange world?</p>
<p>BLOOOM is a delicate journey full of poetry, fantasy and surprising encounters. The play is about the power of enchantment and the magic of new beginnings. With captivating images and a touch of absurd humour, BLOOOM invites the audience to find themselves on Gargadenia&#8217;s journey. It is a play about growing up in uncertain times, balancing on uneven ground and how we can always put down new roots.</p>
<p>An invitation to enter unknown territory with light luggage and discover the wonder of growing up.</p>
<p>Age: 5 to 10 years</p>
<p>Duration: 50 minutes</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>CREATIVE TEAM</p>
<p>Choreography: Andreas Denk &amp; Eugênia Labuhn</p>
<p>Dramaturgy: Arno Kleinofen</p>
<p>GARGADENIA GARAGENIA: Eugênia Labuhn</p>
<p>Creative production: Bebê de Soares</p>
<p>Photos: Oliver Stroemer</p>
<p>Videos: Jack Sticka</p>
<p>Production: Teatro 4Garoupas</p></div>
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					<img loading="lazy" decoding="async" width="1419" height="946" src="https://barnescrossing.de/wp-content/uploads/2025/11/BLOOOM_2_Teatro4Garoupas_cOliver_Stroemer-SM.png" alt="Tänzerin in ungewöhnlichem, texturiertem Kostüm mit voluminösen Ärmeln in dynamischer Pose auf blauem Boden vor schwarzem Hintergrund." class="wp-image-8716" srcset="https://barnescrossing.de/wp-content/uploads/2025/11/BLOOOM_2_Teatro4Garoupas_cOliver_Stroemer-SM.png 1419w, https://barnescrossing.de/wp-content/uploads/2025/11/BLOOOM_2_Teatro4Garoupas_cOliver_Stroemer-SM-1280x853.png 1280w, https://barnescrossing.de/wp-content/uploads/2025/11/BLOOOM_2_Teatro4Garoupas_cOliver_Stroemer-SM-980x653.png 980w, https://barnescrossing.de/wp-content/uploads/2025/11/BLOOOM_2_Teatro4Garoupas_cOliver_Stroemer-SM-480x320.png 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1419px, 100vw" />
					
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<p>Der Beitrag <a href="https://barnescrossing.de/en/english/teatro-4garoupas-blooom-2/">Teatro 4Garoupas &#8220;BLOOOM&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>Jovana Petrovska &#8220;Wording a common skirt&#8221;</title>
		<link>https://barnescrossing.de/en/current-events/wording-a-common-skirt-jovana-petrovska/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Tue, 07 Apr 2026 08:10:14 +0000</pubDate>
				<category><![CDATA[current events]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=9033</guid>

					<description><![CDATA[<p>Saturday May 23rd 2026 at 8:00 pm</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/current-events/wording-a-common-skirt-jovana-petrovska/">Jovana Petrovska &#8220;Wording a common skirt&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
]]></description>
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<h2 data-renderer-start-pos="1"><strong data-renderer-mark="true">Jovana Petrovska</strong></h2>
<h3 data-renderer-start-pos="19"><span style="color: #ffffff;"><strong data-renderer-mark="true">“Wording a common skirt”</strong></span></h3>
<p data-renderer-start-pos="45">23.05.2026, 20:00 Uhr</p>
<p data-renderer-start-pos="1405">This dance piece coincides with the 105th anniversary of the birth of Blaže Koneski. His standardization of the Macedonian language was a state-sanctioned act that, by its very nature, involved a process of selective forgetting. The sound design reflects this evolution: Koneski&#8217;s poetry serves as both the language and the raw recorded material, which the commissioned composer deconstructs and fragments. This sonic deconstruction poses a powerful question to the sanctioned linguistic memory: What had to be forgotten for this consensus to be passed?</p>
<p data-renderer-start-pos="1962"><strong data-renderer-mark="true">Concept, Choreographic Direction, and Performance:</strong> Jovana Petrovska</p>
<p data-renderer-start-pos="2031"><strong data-renderer-mark="true">Creation and Performance:</strong> Elodie Zermatten, Lea Marie Neumayer and Viola Cantú</p>
<p data-renderer-start-pos="2111"><strong data-renderer-mark="true">Music Composition:</strong> Thomas Wansing</p>
<p data-renderer-start-pos="2146"><strong data-renderer-mark="true">Stylist:</strong> Elizabeta Hristovska</p>
<p data-renderer-start-pos="2177"><strong data-renderer-mark="true">Light Technician:</strong> Nick Jonas Kuhoff</p>
<p data-renderer-start-pos="2214"><strong data-renderer-mark="true">Technical Support:</strong> Aleksandar Petrovski</p>
<p data-renderer-start-pos="2255"><strong data-renderer-mark="true">Literary Expert:</strong> Prof. Dr. Goce Cvetanovski</p>
<p data-renderer-start-pos="2300"><strong data-renderer-mark="true">Poem:</strong> &#8220;The word&#8221; from Blaže Koneski</p>
<p data-renderer-start-pos="2337"><strong data-renderer-mark="true">Dramaturgical Support and voice:</strong> Elizabeta Kocoska</p>
<p data-renderer-start-pos="2391"><strong data-renderer-mark="true">Special thanks to</strong> Klaudija Petrovska, Pamela Banchetti and Sergio Monferrer</p>
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<p>&nbsp;</p>
<p>Price information: <span>​Pay what you want tickets (suggested: 6€ / 10€ / 15€)​ are available at the box office (Abendkasse) from 19:00. To make a reservation, please send an email to <a href="mailto:creation.jvnpetrovska@gmail.com">creation.jvnpetrovska@gmail.com</a> – <a href="https://rausgegangen.de/events/wording-a-common-skirt-0/" target="_blank" rel="noopener">READ MORE</a></span></p></div>
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				<a href="https://barnescrossing.de/wp-content/uploads/2026/04/IMG_2596_2.png" class="et_pb_lightbox_image" title="Eine Person mit langem, geflochtenem Haar steht mit dem Rücken zur Kamera. Sie trägt ein dunkles, langärmliges Oberteil. Beide Arme sind erhoben. Über dem Kopf der Person fliegt ein Vogel mit ausgebreiteten Flügeln. Der Hintergrund ist einfarbig und hell."><span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="800" height="600" src="https://barnescrossing.de/wp-content/uploads/2026/04/IMG_2596_2.png" alt="Eine Person mit langem, geflochtenem Haar steht mit dem Rücken zur Kamera. Sie trägt ein dunkles, langärmliges Oberteil. Beide Arme sind erhoben. Über dem Kopf der Person fliegt ein Vogel mit ausgebreiteten Flügeln. Der Hintergrund ist einfarbig und hell." title="IMG_2596_(2)" srcset="https://barnescrossing.de/wp-content/uploads/2026/04/IMG_2596_2.png 800w, https://barnescrossing.de/wp-content/uploads/2026/04/IMG_2596_2-480x360.png 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 800px, 100vw" class="wp-image-9025" /></span></a>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/current-events/wording-a-common-skirt-jovana-petrovska/">Jovana Petrovska &#8220;Wording a common skirt&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>18th SoloDuo Festival nrw + friends</title>
		<link>https://barnescrossing.de/en/current-events/18th-soloduo-festival-nrw-friends/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 10:53:46 +0000</pubDate>
				<category><![CDATA[current events]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[SoloDuo (en)]]></category>
		<category><![CDATA[SoloDuo current]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=9310</guid>

					<description><![CDATA[<p>18th SoloDuo nrw + friends International Dance Festival<br />
29 to 31st of May 2026</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/current-events/18th-soloduo-festival-nrw-friends/">18th SoloDuo Festival nrw + friends</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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<h2><span style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" data-wp-dark-mode-inline-color="">18. SoloDuoFestival nrw + friends Internationales Tanzfestival</span></h2>
<h2><span style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" data-wp-dark-mode-inline-color="">Barnes Crossing 29. bis 31. Mai 2026</span></h2>
<p>&nbsp;</p>
<p><strong><span style="color: #ffffff;">Tickets 29.05.2026 </span></strong> <span style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" data-wp-dark-mode-inline-color=""><em><a style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" href="https://rausgegangen.de/events/soloduo-festival-new-friends-0/" target="_blank" rel="noopener" data-wp-dark-mode-inline-color="">https://rausgegangen.de/events/soloduo-festival-new-friends-0/</a></em></span></p>
<p><strong><span style="color: #ffffff;">Tickets 30.05.2026</span> </strong><span style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" data-wp-dark-mode-inline-color=""><em> <a style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" href="https://rausgegangen.de/events/soloduo-festival-new-friends-1/" target="_blank" rel="noopener" data-wp-dark-mode-inline-color="">https://rausgegangen.de/events/soloduo-festival-new-friends-1/</a></em></span></p>
<p><span style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" data-wp-dark-mode-inline-color=""><span style="color: #ffffff;"><strong>Booking for the awards ceremony on 31 May 2026: </strong></span><em><a style="color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" href="https://rausgegangen.de/events/soloduo-festival-nrw-friends-0/" target="_blank" rel="noopener" data-wp-dark-mode-inline-color="">https://rausgegangen.de/events/soloduo-festival-nrw-friends-0/</a></em></span></p>
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<p><span style="color: #ffffff;"><strong>SoloDuoFestival nrw + friends</strong></span></p>
<p><span style="color: #ffffff;">Since 2009, the SoloDuoFestival nrw + friends has been an annual international dance festival dedicated to presenting contemporary dance productions – with a particular focus on emerging artists. The festival offers a unique platform for emerging choreographers, promotes artistic exchange among international participants as well as between participants and professional dance practitioners, and creates career opportunities.</span></p>
<p><span style="color: #ffffff;">Each year, the festival presents 8–10 contemporary solo choreographies with a maximum duration of 6 minutes and duo choreographies with a maximum duration of 9 minutes. We welcome international applications, particularly those for mixed-ability productions. Two duos and three solos are selected from the programme by the international jury to either take part in international festivals organised by partner organisations or to benefit from a residency lasting several weeks at the “Quartier am Hafen”.</span></p>
<p><span style="color: #ffffff;">From 29 to 31 May 2026, the International SoloDuoFestival nrw + friends will take place for the 18th time. The festival is organised by Barnes Crossing – Freiraum für TanzPerformanceKunst, which has been providing an important platform for contemporary dance and performance for two decades.</span></p>
<p><span style="color: #ffffff;">This year, too, the festival underlines its international significance: over 150 applications were received from 18 countries, including France, the Netherlands, Brazil, Taiwan, Poland, Italy, Finland, Israel, South Korea, the Czech Republic, Greece, Switzerland, Belgium, Spain, the USA, Portugal, England, Sweden and Germany.</span></p>
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<h3 style="text-align: center;"><span style="text-decoration: underline; color: #2ceac1; --wp-dark-mode-inline-color: #54e0bc;" data-wp-dark-mode-inline-color=""><strong><a style="color: #2ceac1; text-decoration: underline; --wp-dark-mode-inline-color: #54e0bc;" href="https://barnescrossing.de/wp-content/uploads/2026/04/20260427_PM_und_Teilnehmende_Soli_Duo_2026-EN-GB.pdf" target="_blank" rel="noopener" data-wp-dark-mode-inline-color="">PROGRAMME for download</a></strong></span></h3></div>
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<p><span style="color: #ffffff;"><strong>Organiser</p>
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<div><span style="color: #ffffff;">Barnes Crossing | A space for dance and performance art at the Wachsfabrik Art Centre</span></div>
<div><span style="color: #ffffff;">Industriestraße 170</span></div>
<div><span style="color: #ffffff;">50999 Cologne-Rodenkirchen</span></div>
<div><span style="color: #ffffff;">www.barnescrossing.de</span></div>
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<div><span style="color: #ffffff;"><strong>Cooperation partner:</strong> Quartier am Hafen, Cologne</span></div>
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<div><span style="color: #ffffff;"><strong>Funding:</strong> The festival is supported by the Cultural Office of the City of Cologne and the Kunstsalon Foundation Cologne.</span></div>
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<div><span style="color: #ffffff;">Further information will follow shortly on the website at: https://barnescrossing.de/soloduo/</span></div>
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<div><span style="color: #ffffff;"><strong>Press contact:</strong></span></div>
<div><span style="color: #ffffff;">Mechtild Tellmann, kultur@mechtild-tellmann.de, +49 171 3857031</span></div></div>
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				<div class="et_pb_text_inner"><p><span style="color: #ffffff;"><strong>Team<span style="color: #ffffff;"> </span></strong></span></p>
<p><span style="color: #ffffff;"><strong>Artistic Directors</strong>: Ilona Pászthy, Gerda König</span><br /><span style="color: #ffffff;"><strong>Festival Assistants</strong>: Even Wainscoat, Joschka Heed</span><br /><span style="color: #ffffff;"><strong>Selection Jury:</strong> Diana Treder, Ilona Pászthy</span><br /><span style="color: #ffffff;"><strong>Graphic Design:</strong> miegL</span><br /><span style="color: #ffffff;"><strong>Jury:</strong> Vivianne Rodrigues del Britto (NL), <span>Bebé de Soares und Leandro Kees</span></span><br /><span style="color: #ffffff;"><strong>Technical Support:</strong> Garlef Keßler</span><br /><span style="color: #ffffff;"><strong>Sound Engineering Assistant:</strong> Simeon Kuhn</span><br /><span style="color: #ffffff;"><strong>PR and Communications:</strong> Mechtild Tellmann</span><br /><span style="color: #ffffff;"><strong>Workshop Leaders:</strong> Yvonne Hardt, Nina Patrizia Hänel</span><br /><span style="color: #ffffff;"><strong>Photo/Video Documentation:</strong> </span><span style="font-size: 20px; color: #ffffff;">Alessandro de Matteis</span></p>
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				<div class="et_pb_text_inner"><p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">The jury for the awards are Dutch artist <strong>Vivianne Rodrigues del Britto</strong> and <strong>Bebé de Soares and Leandro Kees.</strong></span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">In addition to the competition entries, the festival offers a diverse supporting programme that focuses on artistic exchange. Discussion panels between participants and the jury provide opportunities for reflection and networking. The programme is complemented by two workshops: on Saturday, Yvonne Hardt will lead a discussion on current issues in dance policy, and on Sunday, Nina Patrizia Hänel will lead a practical workshop in the field of dance.</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""> </span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>Awards and grants</strong></span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">The SoloDuoFestival nrw + friends will award the following prizes in 2026:</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">awarded Solo: €400 and a residency grant at Quartier am Hafen</span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">awarded Duo: €800 and a residency grant at Quartier am Hafen</span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">awarded Newcomer Solo: €400</span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">awarded Newcomer Duo: €800</span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">awarded dancer: €400</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">In addition, a further residency place will be awarded to a production selected by the jury. All prizes are sponsored by the KunstSalon Stiftung Köln in cooperation with the Quartier am Hafen.</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""> </span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>Accessibility as a lived commitment</strong></span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Thanks to renewed funding from the City of Cologne, comprehensive accessibility formats can also be offered in 2026. These include, amongst other things, audio descriptions (upon registration), a pick-up service from the nearest train station, and special services for deaf people. The venue is fully accessible – the festival thus sees itself as an inclusive cultural offering for everyone.</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>An audio flyer will be available on the website shortly.</strong></span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""> </span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>Anniversary: 20 years of Barnes Crossing</strong></span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">In 2026, Barnes Crossing celebrates its 20th anniversary. The festival is part of this anniversary programme and will mark the occasion with special highlights. Visitors can look forward to additional programme items and surprises, particularly during the awards ceremony.</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""> </span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>Practical information:</strong></span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>Competition performances:</strong></span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Friday, 29 May 2026, 8.00 pm</span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Saturday, 30 May 2026, 8.00 pm</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Awards ceremony</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Sunday, 31 May 2026, 3.00 pm</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""> </span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color=""><strong>Tickets</strong></span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Tickets €19.00 / concessions €12.00 / €6.00 with Tanzcard (ZZT students) per festival day (limited availability), all prices subject to booking fee. Award ceremony: Free admission</span><br /><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">Tickets available via rausgegangen.de</span></p>
<p><span style="color: #ffffff; --wp-dark-mode-inline-color: #e5e0d8;" data-wp-dark-mode-inline-color="">or at the box office (we recommend booking in advance, providing your name, address and telephone number, as only a limited number of tickets are available for general sale.  Tel.: 02236-963588, barnescrossing@web.de</span></p></div>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/current-events/18th-soloduo-festival-nrw-friends/">18th SoloDuo Festival nrw + friends</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>IPtanz &#8220;lautLOS1.6&#8221;</title>
		<link>https://barnescrossing.de/en/english/iptanz-lautlos1-6-2/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Wed, 04 Jun 2025 08:15:11 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=8243</guid>

					<description><![CDATA[<p>IPtanz is celebrating its birthday!<br />
Saturday 06.12.2025, 20:00 h</p>
<p>A multimedia dance installation with audio description and accompanying touch tour at 19:15 (with prior registration!)</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/english/iptanz-lautlos1-6-2/">IPtanz &#8220;lautLOS1.6&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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<h2 data-renderer-start-pos="9">“lautLOS#6”</h2>
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<p><strong>“lautLOS1.6” – deconstruction of memory</strong></p>
<p><strong>with audio description and accompanying touch tour at 7:15 p.m. (advance registration required!)</strong></p>
<p>Saturday, 6 December 2025, 8:00 p.m.</p>
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<p><strong>IPtanz is celebrating its birthday and we would like to celebrate with you.</strong></p>
<p>A small supporting programme offers insights into our work over the past years. After the performances, the artists will be available for discussions.</p>
<p>More at <a class="_mizu194a _1ah3dkaa _ra3xnqa1 _128mdkaa _1cvmnqa1 _4davt94y _4bfu1r31 _1hms8stv _ajmmnqa1 _vchhusvi _kqswh2mm _syaz14q2 _ect41gqc _1a3b1r31 _4fpr8stv _5goinqa1 _f8pj14q2 _9oik1r31 _1bnxglyw _jf4cnqa1 _30l314q2 _1nrm1r31 _c2waglyw _1iohnqa1 _9h8h16c2 _1053w7te _1ienw7te _n0fxw7te _1vhvg3x0" title="https://deref-web.de/mail/client/V0EVOdRFNLw/dereferrer/?redirectUrl=http%3A%2F%2Fwww.ip-tanz.com" href="https://ip-tanz.com/?lang=en_us" target="_blank" rel="noopener" data-renderer-mark="true" data-is-router-link="false" data-testid="link-with-safety"><em data-renderer-mark="true">www.ip-tanz.com</em></a></p>
<p>We look forward to seeing you.</p>
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<p><strong>lautLOS1.6 – A multimedia dance installation by IPtanz with two solos by Silvia Ehnis Pérez Duarte and Ilona Pászthy from absence#5 – deconstruction of memory.</strong></p>
<p>Two autobiographically inspired monologues against the disappearance of memory and the power of forgetting. An atmosphere created from documentary material, memories, animations by Anna Mahendra and a stage object by miegL.</p>
<p><strong>Silvia Ehnis Perez Duarte / D / Mexico</strong>: Raised in Mexico, Silvia Ehnis has been living in Germany since 2012. Her family from the Stuttgart area emigrated before the First World War, returned briefly during the Weimar Republic, and then settled permanently in Mexico. What traces remain when a life is continued on another continent? &#8220;My great-grandfathers emigrated to Mexico a hundred years ago and settled in the German community. The families experienced the Nazi regime only from a distance, and their connection to Germany faded.&#8221; Conversations with her family reveal a complex cultural heritage that ties in with Ilona Pászthy&#8217;s examination of &#8220;perpetrators and followers.&#8221;</p>
<p data-renderer-start-pos="1567"><strong>Ilona Pászthy / D</strong>: What invisible traces of the past do I carry within me? How can I trace the memories inscribed in my DNA and their significance for my identity? For years, I have been researching the unexplained areas of my family history, searching for connections between my own experiences and the biographies of my ancestors during the Nazi era. Images from my childhood meet fragmentary information. In my solo performance, I metaphorically approach the blind spots of my memory, questioning identity, conformity, perpetration, origin and epigenetic traces.</p>
<p data-renderer-start-pos="2180"><em>&#8220;&#8230; Ilona Pászthy has succeeded in creating a production that is as complex as it is densely structured. Narrative and dance combine in an emotional moment of movement&#8230;&#8221; (Thomas Linden, Kölnische Rundschau, 10 September 2024)</em></p>
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<p data-renderer-start-pos="2389"><strong data-renderer-mark="true">Choreography</strong> Ilona Pászthy, Silvia Ehnis</p>
<p data-renderer-start-pos="2432"><strong data-renderer-mark="true">Dance</strong> <span>Ilona Pászthy, Silvia Ehnes </span></p>
<p data-renderer-start-pos="2499"><strong data-renderer-mark="true">Stage</strong> miegL</p>
<p data-renderer-start-pos="2512"><strong data-renderer-mark="true">Video animation</strong> Anna Mahendra</p>
<p data-renderer-start-pos="2542"><strong data-renderer-mark="true">Music</strong> Zsolt Varga</p>
<p data-renderer-start-pos="2561"><strong data-renderer-mark="true">Technic</strong> Garlef Keßler, Christoph Wedi</p>
<p data-renderer-start-pos="2600"><strong data-renderer-mark="true">Audio description</strong> Uschi Baetz</p>
<p><b>We would like to thank our sponsors</b>: Ministry of Art and Science of North Rhine-Westphalia, Cultural Office of the City of Cologne, NS Documentation Centre Cologne, Cultural Office Siegburg, Cultural Office Krefeld in cooperation with the NS Documentation Centre Krefeld / Villa Merländer.</p>
<p><strong>FRAMEWORK PROGRAMME:</strong></p>
<p>7:15 p.m. – Physical-somatic introduction<br />7:15 p.m. – Touch tour and audio description (registration required)</p>
<p><strong>ACCESSIBILITY:</strong></p>
<p>Pick-up service for blind and visually impaired people from Michaelshoven railway station, touch tour and audio description (registration required)</p>
<p><strong>Ticket reservations / registration for pick-up, audio description and touch tour:</strong></p>
<p>Tickets: <span style="color: #2ceac1;--wp-dark-mode-inline-color: #54e0bc" data-wp-dark-mode-inline-color=""><a href="https://rausgegangen.de/events/lautlos-absence5-deconstruction-of-memory-1/" style="color: #2ceac1;--wp-dark-mode-inline-color: #54e0bc" target="_blank" rel="noopener" data-wp-dark-mode-inline-color="">https://rausgegangen.de/events/lautlos-absence5-deconstruction-of-memory-1/</a></span></p>
<p><span style="color: #2ceac1;--wp-dark-mode-inline-color: #54e0bc" data-wp-dark-mode-inline-color=""></span></p>
<p><span style="color: #2ceac1;--wp-dark-mode-inline-color: #54e0bc" data-wp-dark-mode-inline-color=""><img loading="lazy" decoding="async" src="https://ip-tanz.com/wp-content/uploads/2025/11/2396e1e7-f4b2-443a-9101-6662afd028e7.png" width="115" height="93" /> <a href="https://rausgegangen.de/events/lautlos-absence5-deconstruction-of-memory-1/">rausgegangen.de</a></span></p>
<p>or<span style="color: #2ceac1;--wp-dark-mode-inline-color: #54e0bc" data-wp-dark-mode-inline-color=""></span><strong></strong></p>
<p data-renderer-start-pos="3247"><a class="_mizu194a _1ah3dkaa _ra3xnqa1 _128mdkaa _1cvmnqa1 _4davt94y _4bfu1r31 _1hms8stv _ajmmnqa1 _vchhusvi _kqswh2mm _syaz14q2 _ect41gqc _1a3b1r31 _4fpr8stv _5goinqa1 _f8pj14q2 _9oik1r31 _1bnxglyw _jf4cnqa1 _30l314q2 _1nrm1r31 _c2waglyw _1iohnqa1 _9h8h16c2 _1053w7te _1ienw7te _n0fxw7te _1vhvg3x0" title="mailto:karten@ip-tanz.com" href="mailto:karten@ip-tanz.com" data-renderer-mark="true" data-is-router-link="false" data-testid="link-with-safety">karten@ip-tanz.com</a> or 0157 &#8211; 57 930 117</p>
<p data-renderer-start-pos="3292">more Informationen at <a class="_mizu194a _1ah3dkaa _ra3xnqa1 _128mdkaa _1cvmnqa1 _4davt94y _4bfu1r31 _1hms8stv _ajmmnqa1 _vchhusvi _kqswh2mm _syaz14q2 _ect41gqc _1a3b1r31 _4fpr8stv _5goinqa1 _f8pj14q2 _9oik1r31 _1bnxglyw _jf4cnqa1 _30l314q2 _1nrm1r31 _c2waglyw _1iohnqa1 _9h8h16c2 _1053w7te _1ienw7te _n0fxw7te _1vhvg3x0" title="https://deref-web.de/mail/client/V0EVOdRFNLw/dereferrer/?redirectUrl=http%3A%2F%2Fwww.ip-tanz.com" href="https://ip-tanz.com/?lang=en_us" target="_blank" rel="noopener" data-renderer-mark="true" data-is-router-link="false" data-testid="link-with-safety">www.ip-tanz.com</a></p></div>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/english/iptanz-lautlos1-6-2/">IPtanz &#8220;lautLOS1.6&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>IPtanz &#124; Love Eat (never) Sleep</title>
		<link>https://barnescrossing.de/en/archive/iptanz-love-eat-never-sleep/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Mon, 04 Aug 2025 10:45:50 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=8352</guid>

					<description><![CDATA[<p>IPtanz is celebrating its birthday!<br />
Friday 05.12.2025, 20:00 h</p>
<p>A walk-in dance installation by IPtanz<br />
with audio description and accompanying touch tour at 19:15 h (advance registration required!)</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/archive/iptanz-love-eat-never-sleep/">IPtanz | Love Eat (never) Sleep</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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				<div class="et_pb_text_inner"><h2><strong>IPtanz “Love Eat (never) Sleep”</strong></h2>
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<p>absence#6 &#8211; abstraction of memory</p>
<p><strong>with audio description and accompanying touch tour at 7:15 p.m. (advance registration required!)</strong></p>
<p>Friday, 5 December 2025 – 8:00 p.m.</p>
<p>Tickets: <a href="https://rausgegangen.de/events/love-eat-never-sleep-absence6-abstraction-of-memory-eine-beg-0/" target="_blank" rel="noopener">https://rausgegangen.de/events/love-eat-never-sleep-absence6-abstraction-of-memory-eine-beg-0/</a></p>
<p><img loading="lazy" decoding="async" src="https://ip-tanz.com/wp-content/uploads/2025/11/6e965a7d-ad35-4e77-925b-5ea0c3a70255.png" width="145" height="142" /> <span style="color: #2ceac1"><a href="https://rausgegangen.de/events/love-eat-never-sleep-absence6-abstraction-of-memory-eine-beg-0/%20" target="_blank" rel="noopener" style="color: #2ceac1">rausgegangen.de</a></span></p>
<p>&nbsp;</p>
<p><strong>It&#8217;s IPtanz&#8217;s birthday, and we want to celebrate with you.</strong></p>
<p>A small supporting programme offers insights into our work over the past years. After the performances, the artists will be available for discussions.</p>
<p>More at <span style="color: #2ceac1"><a style="color: #2ceac1" href="https://ip-tanz.com/?lang=en_us" target="_blank" rel="noopener">www.ip-tanz.com</a></span></p>
<p>We look forward to seeing you there.</p>
<p>&nbsp;</p>
<p><strong style="font-size: 20px">Love Eat (never) Sleep</strong></p>
<p><strong>A walk-in dance installation about memory, identity and collective memory.</strong></p>
<p>An immersive experience: dance meets walk-in installation, performers and audience share the stage in a transformable, pneumatic landscape through which the audience moves freely – including a change of perspective.</p>
<p>An air body pulsates, movement splinters into voices, skin and stories. What remains when places and rituals disappear, when the body becomes an archive – made of muscles, breath and scars in the pulse of the space? The space – sometimes a tent, sometimes a bubble, sometimes a ruin. See through different eyes, hear forgotten voices, be part of a fictional world that grows, turns, withdraws and wants to be not only seen, but felt, heard and experienced.</p>
<p>Four dancers use a pneumatic stage set (miegL) to create a fantasy of a new present that is already past. The body as archive, ritual and the dissolution of security in a group context are central themes. Interviews with different generations and backgrounds are incorporated.</p>
<p>&#8220;Ilona Pászthy and her ensemble IPtanz have succeeded in creating a fine production that courageously engages with the complexity of memory&#8230;&#8221; (Kölnische Rundschau / Thomas Linden / 09.09.2025)</p>
<p><strong>Choreography</strong> Ilona Pászthy</p>
<p><strong>Play development</strong> Ilona Pászthy in collaboration with the team</p>
<p><strong>Dance</strong> Miriam Arnold, Gleb Bondarev, Tom Diener, Mira Plikat</p>
<p><strong>Stage</strong> miegL</p>
<p><strong>Music</strong> Zsolt Varga</p>
<p><strong>Lighting</strong> Garlef Keßler</p>
<p><strong>Audio description</strong> Uschi Baetz</p>
<p>We would like to thank our sponsors Ministry of Art and Science of North Rhine-Westphalia, Cultural Office of the City of Cologne, RheinEnergie Foundation for Culture, Stadtrevue, Kulturservice Köln</p>
<p><strong>SUPPORTING PROGRAMME:</strong><br />7:15 p.m. – physical-somatic introduction<br />7:15 p.m. – touch tour and audio description (registration required)</p>
<p><strong>ACCESSIBILITY:</strong><br />Pick-up service for blind and visually impaired people from Michaelshoven train station, touch tour and audio description<strong> (registration required)</strong></p>
<p><strong>Ticket reservations / registration for pick-up, audio description and touch tour:</strong></p>
<p><a href="mailto:karten@ip-tanz.com"><span style="color: #2ceac1">karten@ip-tanz.com</span></a> or 0157 &#8211; 57 930 117</p>
<p>Further information at <span style="color: #2ceac1"><a style="color: #2ceac1" href="https://ip-tanz.com/?lang=en_us" target="_blank" rel="noopener">www.ip-tanz.com</a></span></p>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/archive/iptanz-love-eat-never-sleep/">IPtanz | Love Eat (never) Sleep</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>DOUBLE BILL  SONDER:SAMMLUNG:5 &#8220;TO THOSE WHO DON‘T&#8221; &#038; SÄCHSISCHE SCHWEIZ kollektiv &#8220;LÄRM&#8221;</title>
		<link>https://barnescrossing.de/en/archive/double-bill-sondersammlung5-to-those-who-dont-saechsische-schweiz-kollektiv-laerm-2/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Mon, 06 Oct 2025 14:06:09 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=8575</guid>

					<description><![CDATA[<p>Friday 07.11.2025, 19:30 h &#124;  Saturday 08.11.2025, 19:30 h</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/archive/double-bill-sondersammlung5-to-those-who-dont-saechsische-schweiz-kollektiv-laerm-2/">DOUBLE BILL  SONDER:SAMMLUNG:5 &#8220;TO THOSE WHO DON‘T&#8221; &amp; SÄCHSISCHE SCHWEIZ kollektiv &#8220;LÄRM&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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<h2 data-renderer-start-pos="1"><strong data-renderer-mark="true">*DOUBLE BILL*</strong></h2>
<h2 data-renderer-start-pos="16"><strong data-renderer-mark="true">SÄCHSISCHE SCHWEIZ kollektiv – LÄRM &amp;</strong></h2>
<h2 data-renderer-start-pos="57"><strong data-renderer-mark="true">SONDER:SAMMLUNG:5 – TO THOSE WHO DON’T</strong></h2>
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<p>Friday 07.11.2025, 19:30 h</p>
<p>Saturday 08.11.2025, 19:30 h</p>
<p>Tickets: <span style="color: #2ceac1"><a href="https://rausgegangen.de/events/double-bill-larm-to-those-who-dont-0/" target="_blank" rel="noopener" style="color: #2ceac1">https://rausgegangen.de/events/double-bill-larm-to-those-who-dont-0/</a></span></p>
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<p><strong>LÄRM</strong><br /><strong>a tragic comedy about the stress of everyday life</strong><br /><strong>or</strong><br /><strong>the loudest romance in the world</strong></p>
<p>Sascha and Ivonne have more than just [bleep]ing feelings for each other. They try to [bleep bleep bleep] their love for each other, but they just don&#8217;t get along. [klonk] [beep beep]</p>
<p>Be it cardiovascular disorders, headaches, fatigue, anxiety disorders or burnout. The health consequences of too much stress are well known. According to relationship coach and author Jilian Turecki, the inability to deal with one&#8217;s own stress is the main reason why relationships fail and feelings of belonging, connection and &#8216;being together&#8217; are lost.</p>
<p>The SÄCHSISCHE SCHWEIZ kollektiv explores the connections between the concepts of stress, NOISE and communication in relationships. In the production, NOISE becomes an artistic translation of everyday stressors that massively disrupt communication between the protagonists in a tragic-comic way.</p>
<p>The audience observes Yvonne and Sascha in a kitchen. The two are connected by a deep and long-standing, but so far &#8216;only&#8217; friendly love. They seem to be in conflict and want to find each other, but they are constantly drowned out by the noises of the world. The NOISE of the washing machine, the kettle, the wooden spoon on the edge of the saucepan, the coffee grinder, the highway in front of the house overlay their words. It seems impossible for Yvonne and Sascha to understand each other, and also impossible for the audience to understand Yvonne and Sascha; at least on a verbal level. After the noises in the apartment have taken on a life of their own in a psychedelic moment of overload, silence finally returns and we hear the (loud) thoughts of the protagonists. They have been secretly in love with each other all these years and are full of doubts. The audience joins in the excitement to see if the two can get together despite all the NOISE.</p>
<p>Concept &amp; play: Ivo Schneider, Saskia Rudat</p>
<p>Stage: Dorothea Mines, Ivo Schneider, Saskia Rudat</p>
<p>Costume: Dorothea Mines</p>
<p>Sound: Kolya Wulf</p>
<p>Light: Jan Widmer</p>
<p>Assistance: Pia Heldmann</p>
<p>VK &amp; Outside Eye: Theresa Hupp</p>
<p>&nbsp;</p>
<p><strong>SONDER:SAMMLUNG:5</strong><br /><strong>TO THOSE WHO DON&#8217;T</strong></p>
<p>A dance theater about the inescapable functioning in the structure on a recomposition of Ravel&#8217;s BOLERO.</p>
<p>i call myself a FLOP on a daily basis.</p>
<p>WAIT. [flop]. WINNING. continue. TRYING. [flopflop] keep going. FAILING. just keep going.</p>
<p>WINNING TRYING FAILING. &#8212; WAIT [flopflopflopflopflop] &#8230; I am a machine.</p>
<p>A performance dedicated to all who never stop, always doing, acting, producing, NO MATTER WHAT. About always being part of the &#8220;machine&#8221; &#8211; the course of things in a society of which we are a part and which determines our function in global turbo-capitalism.</p>
<p>About the impossibility of not being part of the machine. There is no way out, it lives in us, we live in it, we are it. What this machine does to us and how difficult (or utopian?) it is to stop it.</p>
<p>We are so anchored in the gears that stopping, pausing and asking ourselves questions is simply not in the plan. So the questions accompany us unanswered, sit in the back of our heads like dissatisfied rodents and metaphorically chew our ears off while we continue to strive for clean performance.</p>
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				<a href="https://barnescrossing.de/wp-content/uploads/2025/10/Laerm_SaechsischeSchweizkollektiv_1_cOliverStroemer.jpeg" class="et_pb_lightbox_image" title=""><span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="1280" height="853" src="https://barnescrossing.de/wp-content/uploads/2025/10/Laerm_SaechsischeSchweizkollektiv_1_cOliverStroemer.jpeg" alt="" title="Laerm_SächsischeSchweizkollektiv_1_(c)OliverStroemer" srcset="https://barnescrossing.de/wp-content/uploads/2025/10/Laerm_SaechsischeSchweizkollektiv_1_cOliverStroemer.jpeg 1280w, https://barnescrossing.de/wp-content/uploads/2025/10/Laerm_SaechsischeSchweizkollektiv_1_cOliverStroemer-980x653.jpeg 980w, https://barnescrossing.de/wp-content/uploads/2025/10/Laerm_SaechsischeSchweizkollektiv_1_cOliverStroemer-480x320.jpeg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw" class="wp-image-8568" /></span></a>
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				<a href="https://barnescrossing.de/wp-content/uploads/2025/10/ToThoseWhoWait_SonderSammlung5_cOliverStroemer_1.jpeg" class="et_pb_lightbox_image" title="Skulptur aus zerknittertem Papier, die eine gebückte menschliche Figur darstellt, umgeben von zerfetzten Papierstücken auf dunklem Boden."><span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="1280" height="853" src="https://barnescrossing.de/wp-content/uploads/2025/10/ToThoseWhoWait_SonderSammlung5_cOliverStroemer_1.jpeg" alt="Skulptur aus zerknittertem Papier, die eine gebückte menschliche Figur darstellt, umgeben von zerfetzten Papierstücken auf dunklem Boden." title="ToThoseWhoWait_SonderSammlung5_(c)OliverStroemer_1" srcset="https://barnescrossing.de/wp-content/uploads/2025/10/ToThoseWhoWait_SonderSammlung5_cOliverStroemer_1.jpeg 1280w, https://barnescrossing.de/wp-content/uploads/2025/10/ToThoseWhoWait_SonderSammlung5_cOliverStroemer_1-980x653.jpeg 980w, https://barnescrossing.de/wp-content/uploads/2025/10/ToThoseWhoWait_SonderSammlung5_cOliverStroemer_1-480x320.jpeg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1280px, 100vw" class="wp-image-8569" /></span></a>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/archive/double-bill-sondersammlung5-to-those-who-dont-saechsische-schweiz-kollektiv-laerm-2/">DOUBLE BILL  SONDER:SAMMLUNG:5 &#8220;TO THOSE WHO DON‘T&#8221; &amp; SÄCHSISCHE SCHWEIZ kollektiv &#8220;LÄRM&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>Kompanie Benjamin Richter  „RAPT“ (Work-In-Progress Showing)</title>
		<link>https://barnescrossing.de/en/english/kompanie-benjamin-richter-rapt-work-in-progress-showing-2/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Mon, 06 Oct 2025 14:25:01 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=8552</guid>

					<description><![CDATA[<p>Sunday 02.11.2025, 17:00 hrs</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/english/kompanie-benjamin-richter-rapt-work-in-progress-showing-2/">Kompanie Benjamin Richter  „RAPT“ (Work-In-Progress Showing)</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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				<div class="et_pb_text_inner"><h2><strong>Company Benjamin Richter</strong></h2>
<h2>&#8220;RAPT&#8221; (Work-In-Progress Showing)</h2>
<h2>Sunday 02.11.2025, 17:00 hrs</h2>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>RAPT begins with our problematic relationship to the word &#8220;more&#8221;, which has brought humanity both knowledge and self-destruction, where it now teeters between ecstatic pleasure and absolute catastrophe. In a world made of paper, performer Benjamin Richter develops a choreographic journey of juggling, dance and clowning that subtly expresses the restless desire for &#8220;more&#8221;. The paper comes into its own in all its materiality: it flies, falls, piles up again, is draped and juggled. Accompanied by a live sound collage, &#8220;RAPT&#8221; is not a linear narrative, but a web of encounters: Human and object, abundance and care, fragility and perseverance.</p>
<p>A work-in-progress excerpt will be shown in BARNES CROSSING, the premiere of the entire piece will follow in January 2025 at the Orangerie Theater Cologne.</p>
<p>RAPT is funded by: Ministry of Culture and Science of the State of NRW, NRW Landesbüro Freie Darstellende Künste and Cultural Office of the City of Cologne.</p>
<p>&nbsp;</p>
<p>Concept, choreography &amp; performance: Benjamin Richter</p>
<p>Concept &amp; dramaturgy: Jenny Patschovsky</p>
<p>Lighting design: Garlef Keßler</p>
<p>Sound design: Maxi Estudies</p>
<p>Graphics: Dominikus Moos</p>
<p>Benjamin Richter</p>
<p>The juggler and dancer Benjamin Richter has been exploring the interfaces between circus, dance and objects for 35 years. With his unmistakable playful language, he has shown his work worldwide and collaborated with Gandini Juggling and Cirkus Cirkör, among others.</p>
<p>&nbsp;</p>
<p><strong>Jenny Patschovsky</strong></p>
<p>Jenny Patschovsky has been shaping contemporary circus in Germany for over 20 years &#8211; as a producer, dramaturge, networker and aerial artist, including on the board of the Bundesverband Zeitgenössischer Zirkus, at the Cologne-based association Atemzug, Labor Cirque and at the Bauhaus Dessau.</p>
<p><strong>Garlef Keßler</strong></p>
<p>Garlef Keßler works as a lighting designer and technical director for mouvoir, Overhead Project and Un-Label, among others. He has been the technical director of LATIBUL Cologne since 2011 and accompanies numerous independent dance and theater productions.</p>
<p><strong>Maxi Estudies</strong></p>
<p>Maximiliano Estudies is a sound designer between music and technology. Based in Cologne since 2010, he works for contemporary music festivals such as Acht Brücken, for WDR, the Cologne University of Music and Dance and is a member of the electronicID ensemble.</p>
<p><strong>Dominikus Moss</strong></p>
<p>Dominikus Moss is an artist, designer &amp; editor of tadaa magazine and project &amp; process manager of CCCC e.V. Cologne.</p></div>
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				<a href="https://barnescrossing.de/wp-content/uploads/2025/10/RAPT_Foto_by_Cox_Ahlers-sm-1.jpg" class="et_pb_lightbox_image" title="Sculpture made of crumpled paper depicting a stooped human figure surrounded by shredded pieces of paper on a dark floor."><span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="1980" height="1419" src="https://barnescrossing.de/wp-content/uploads/2025/10/RAPT_Foto_by_Cox_Ahlers-sm-1.jpg" alt="Sculpture made of crumpled paper depicting a stooped human figure surrounded by shredded pieces of paper on a dark floor." title="RAPT_Foto_by_Cox_Ahlers-sm" srcset="https://barnescrossing.de/wp-content/uploads/2025/10/RAPT_Foto_by_Cox_Ahlers-sm-1.jpg 1980w, https://barnescrossing.de/wp-content/uploads/2025/10/RAPT_Foto_by_Cox_Ahlers-sm-1-1280x917.jpg 1280w, https://barnescrossing.de/wp-content/uploads/2025/10/RAPT_Foto_by_Cox_Ahlers-sm-1-980x702.jpg 980w, https://barnescrossing.de/wp-content/uploads/2025/10/RAPT_Foto_by_Cox_Ahlers-sm-1-480x344.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) and (max-width: 1280px) 1280px, (min-width: 1281px) 1980px, 100vw" class="wp-image-8558" /></span></a>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/english/kompanie-benjamin-richter-rapt-work-in-progress-showing-2/">Kompanie Benjamin Richter  „RAPT“ (Work-In-Progress Showing)</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>DIN A13  “MYspace SAFEspace NOspace 2025&#8243; &#8211; Part 2</title>
		<link>https://barnescrossing.de/en/english/din-a13-myspace-safespace-nospace-2025-part-2/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Tue, 12 Aug 2025 09:55:02 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=8436</guid>

					<description><![CDATA[<p>Der Beitrag <a href="https://barnescrossing.de/en/english/din-a13-myspace-safespace-nospace-2025-part-2/">DIN A13  “MYspace SAFEspace NOspace 2025&#8243; &#8211; Part 2</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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				<div class="et_pb_text_inner"><h1 data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true" data-pm-slice="0 0 &#091;&#093;"><strong data-prosemirror-content-type="mark" data-prosemirror-mark-name="strong">DIN A13</strong></h1>
<h1 data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true"><strong data-prosemirror-content-type="mark" data-prosemirror-mark-name="strong">“MYspace SAFEspace NOspace 2025&#8243; &#8211; Part 2</strong></h1>
<p>&nbsp;</p>
<p><strong>26.09.2025, 20:00 Premiere</strong></p>
<p><strong>27.09.2025, 20:00 hrs</strong></p>
<p><strong>28.09.2025, 19:00 hrs</strong></p>
<p><strong>Premiere 2025 &#8211; Part 2 of the two-part production</strong></p>
<p>&#8220;Safe Space&#8221; &#8211; a valuable protected space, an intimate bubble, a safe cosmos within the so-called &#8220;normative world&#8221;. Who shapes this space, who is allowed to use it, who is left out? DIN A 13 tanzcompany explores these questions with the two-part production &#8220;MYspace SAFEspace NOspace&#8221; &#8211; bringing performers with physical disabilities on stage with artists from the ballroom community (LGBTQ+).</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true"><strong>Part 1 of the overall concept was realized in 2024</strong> as an artistic intervention in public space: A mobile &#8220;Safe Space&#8221; container was positioned in various districts of Cologne. Dancers sought a performative exchange with passers-by and local residents. They reacted in very different ways: curious, irritated, hostile and even aggressive. These encounters gave rise to new choreographic impulses, which will now be explored in greater depth in part 2, the stage version.</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true"><strong>Part 2 premieres in September 2025</strong> and develops the performative experiences from the public space further &#8211; now within a changeable, non-classical stage space that is in constant motion.</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true">Three protagonists personally invite the audience to become part of these spaces &#8211; or separate them from the close-up insights they have just gained. The production questions the concepts of closeness and distance, privacy and publicity &#8211; and shows how fragile and permeable the boundaries of &#8220;safe spaces&#8221; can be.</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true">Encounter and demarcation, intimacy and irritation alternate. The dynamic between the performers and the audience creates a dense, immersive experience that is constantly being reconstituted. An interplay of exclusive inclusions and the exclusions that accompany them.</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true"><strong>Participants:</strong><br />Artistic direction &amp; choreography: Gerda König (D)<br />Co-choreography: Charlotte Virgile (F)<br />Dramaturgy: Marje Hirvonen (FIN)<br />Performance: Danjel Sesar (D), David Mendez (D), Sophia Hankings-Evans (D)<br />Stage design: Lea Dietrich (D)<br />Costume: Monika Odenthal (D)<br />Music: Frank Schulte (D)<br />Film documentation: Gerhard Schick (D)<br />Lighting design: Marco Wehrspann (D)<br />Homepage: Andrea Hoﬀmann (D)<br />Press and public relations: Neurohr &amp; Andrä (D)<br />Social media and financial management: John Herman (D)<br />Creative Producer: Anastasia Olfert (D)</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true"><strong>Supported by:</strong><br />Ministry of Culture and Science of the State of North Rhine-Westphalia, Kunststiftung NRW, Fonds Darstellende Künste, Kämpgen-Stiftung.<br />DIN A 13 tanzcompany receives top-level funding from the state of NRW.</p>
<p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true"><strong>About DIN A 13 tanzcompany</strong><br />DIN A 13 tanzcompany is one of the few dance ensembles internationally whose members are made up of dancers with and without physical disabilities. Since 1995, DIN A 13 tanzcompany and its artistic director and choreographer Gerda König, in artistic collaboration with choreographer Gitta Roser from 1999 to 2020, have been enriching the dance world with new aesthetic categories that continually challenge and question the usual ways of seeing contemporary dance. Presumed boundaries and evaluations between physical characteristics and top dance performance are dissolved in choreographic images that provocatively pose questions and invite artistic dialog.<br />The focus of the artistic work is on the exploration and visualization of the movement quality of &#8220;other bodies&#8221;, which is used in its diversity for the choreographic work, expanding it and thereby enriching the spectrum of contemporary dance.<br /><a href="https://www.din-a13.de/en" target="_blank" rel="noopener">www.din-a13.de/en</a></p></div>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/english/din-a13-myspace-safespace-nospace-2025-part-2/">DIN A13  “MYspace SAFEspace NOspace 2025&#8243; &#8211; Part 2</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>Kristóf Szabó F.A.C.E. Visual Performing Arts &#038; Guests &#8220;LOST PARADISE&#8221;</title>
		<link>https://barnescrossing.de/en/english/kristof-szabo-f-a-c-e-visual-performing-arts-guests-lost-paradise-2/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Wed, 04 Jun 2025 08:58:11 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[English]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=8270</guid>

					<description><![CDATA[<p>Event location changed!<br />
2nd &#38; 3rd August 2025 &#124; 8:00 pm &#124; St. Gertrud Kirche Köln</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/english/kristof-szabo-f-a-c-e-visual-performing-arts-guests-lost-paradise-2/">Kristóf Szabó F.A.C.E. Visual Performing Arts &amp; Guests &#8220;LOST PARADISE&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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<p><span style="text-decoration: underline"><a href="https://www.lost-paradise.eu" target="_blank" rel="noopener">https://www.lost-paradise.eu</a></span></p></div>
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<h2 data-renderer-start-pos="57"><strong data-renderer-mark="true">&#8220;LOST PARADISE&#8221;</strong></h2>
<p>&nbsp;</p>
<p> August 2nd, 2025 &#8211; 8:00 p.m.<br />LOST PARADISE 1 + 2 EVA (BE)WERTWN + ADAM<br /><span style="color: #ff0000;--wp-dark-mode-inline-color: #e72c2a" data-wp-dark-mode-inline-color=""><em data-prosemirror-content-type="mark" data-prosemirror-mark-name="em"><strong data-prosemirror-content-type="mark" data-prosemirror-mark-name="strong">St. Gertrud Kirche Köln</strong></em></span></p>
<p>August 3rd, 2025 – 8:00 p.m.:<br />LOST PARADISE 1+2 – EVA (BE)WERTEN + ADAM<br /><span style="color: #ff0000;--wp-dark-mode-inline-color: #e72c2a" data-wp-dark-mode-inline-color=""><em data-prosemirror-content-type="mark" data-prosemirror-mark-name="em"><strong data-prosemirror-content-type="mark" data-prosemirror-mark-name="strong">St. Gertrud Kirche Köln</strong></em></span></p>
<p><span style="color: #ff0000;--wp-dark-mode-inline-color: #e72c2a" data-wp-dark-mode-inline-color=""><em data-prosemirror-content-type="mark" data-prosemirror-mark-name="em"><strong data-prosemirror-content-type="mark" data-prosemirror-mark-name="strong"></strong></em></span></p>
<p><span style="color: #ff0000;--wp-dark-mode-inline-color: #e72c2a" data-wp-dark-mode-inline-color=""><em data-prosemirror-content-type="mark" data-prosemirror-mark-name="em"><strong data-prosemirror-content-type="mark" data-prosemirror-mark-name="strong"></strong></em></span></p>
<p>LOST PARADISE is a haunting dance performance directed by Kristóf Szabó and produced by club68köln – the association for disabled and non-disabled people.</p>
<p>Through a combination of dance, theater, radio play, photography, and video art, a multi-layered production unfolds, transforming the space into a vibrant playground of human experience. An impressive stage design and moving video projections lend the performance visual depth and transform the venue into a resonance chamber for memory, resistance, and empathy.</p>
<p>At the center is one of the most fundamental questions of our time:</p>
<p>When is a person a person—and what happens when categories determine value and dignity?</p>
<p>Article 1 of the German Basic Law states: “Human dignity shall be inviolable.”</p>
<p>But what remains of this promise when it cracks in everyday life?</p>
<p>LOST PARADISE is a poetic, haunting appeal against exclusion and pressure to conform. The performance explores the fault lines of our society—between ideal and reality, between inclusion and economic utility. It creates a space for encounter and transformation—an artistic plea for a humanity beyond norms and performance metrics.</p>
<p>The project is complemented by an interactive digital chat platform, Paradise Regained, where visitors can share their experiences of exclusion, judgment, and inclusion—live on site.</p>
<p><b><em>Note</em></b><em> Performances will be broadcast live on YouTube by the organizer. By purchasing a ticket, you agree to be filmed live and made public on YouTube.</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><b>TICKETS:</b></p>
<p>via <a href="http://rausgegangen.de/">rausgegangen.de</a> and at the box office</p></div>
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				<a href="https://barnescrossing.de/wp-content/uploads/2025/06/Lost_Paradise_Plakat.jpg" class="et_pb_lightbox_image" title=""><span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="1135" height="1600" src="https://barnescrossing.de/wp-content/uploads/2025/06/Lost_Paradise_Plakat.jpg" alt="" title="Plakat DIN A 1 CMYK Lost Paradise" srcset="https://barnescrossing.de/wp-content/uploads/2025/06/Lost_Paradise_Plakat.jpg 1135w, https://barnescrossing.de/wp-content/uploads/2025/06/Lost_Paradise_Plakat-980x1381.jpg 980w, https://barnescrossing.de/wp-content/uploads/2025/06/Lost_Paradise_Plakat-480x677.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1135px, 100vw" class="wp-image-8266" /></span></a>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/english/kristof-szabo-f-a-c-e-visual-performing-arts-guests-lost-paradise-2/">Kristóf Szabó F.A.C.E. Visual Performing Arts &amp; Guests &#8220;LOST PARADISE&#8221;</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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		<title>17. SoloDuoFestival nrw + friends</title>
		<link>https://barnescrossing.de/en/soloduo-en/17-soloduofestival-nrw-friends-en/</link>
		
		<dc:creator><![CDATA[BARNES CROSSING]]></dc:creator>
		<pubDate>Wed, 30 Apr 2025 14:25:12 +0000</pubDate>
				<category><![CDATA[archive]]></category>
		<category><![CDATA[SoloDuo (en)]]></category>
		<guid isPermaLink="false">https://barnescrossing.de/?p=7915</guid>

					<description><![CDATA[<p>May 23rd to 25th, 2025</p>
<p>Der Beitrag <a href="https://barnescrossing.de/en/soloduo-en/17-soloduofestival-nrw-friends-en/">17. SoloDuoFestival nrw + friends</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="17. SoloDuoFestival nrw + friends Internationales Tanzfestival, Köln 23. - 24. Mai 2025" src="https://player.vimeo.com/video/1105467018?dnt=1&amp;app_id=122963" width="1080" height="608" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share" referrerpolicy="strict-origin-when-cross-origin"></iframe></div>
				
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				<div class="et_pb_text_inner"><h2>17th SoloDuoFestival nrw + friends International Dance Festival<br />Barnes Crossing May 23rd to 25th, 2025</h2>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3><strong>SoloDuoFestival nrw + friends</strong></h3>
<p>&nbsp;</p>
<p>Since 2009, the SoloDuoFestival nrw + friends has been an annual international dance festival dedicated to the presentation of contemporary dance productions &#8211; with a special focus on emerging artists. The festival offers a unique platform for up-and-coming choreographers, promotes artistic exchange between international participants as well as between participants and professional dance makers and creates career opportunities.</p>
<p>Each year, the festival presents 8 &#8211; 10 contemporary solo choreographies with a maximum length of 6 minutes and duo choreographies with a maximum length of 9 minutes. We welcome international applications, especially mixed-abled productions. Two duos and three solos will be selected from the programme by the international jury to either take part in international festivals organized by cooperation partner organizations or to benefit from a residency of several weeks in the &#8220;Quartier am Hafen&#8221;.</p>
<p>&nbsp;</p>
<p><strong>Artistic direction 2025:</strong></p>
<p>Ilona Pászthy &amp; Gerda König / Curation of the program 2025: Diana Treder / Ilona Pászthy</p>
<p>&nbsp;</p>
<p><strong>Participating artists benefit from:</strong></p>
<p>a professional stage to present their dance pieces<br />Visibility in front of an international audience and an expert jury<br />Support with travel and accommodation costs as well as per diems<br />high-quality video and photo documentation of their dance pieces<br />a supporting program for artistic exchange and free workshops on contemporary technique and theory</p>
<p>&nbsp;</p>
<h3>Structure and promotion of the festival</h3>
<p>Despite its international orientation, the SoloDuoFestival is the smallest festival format in Cologne. It is supported by the City of Cologne as part of its conceptual funding and by the Kunstsalon Foundation. This funding makes it possible to provide residencies in the Quartier am Hafen and to cover the travel and accommodation costs for the productions selected by the jury.</p>
<p>This year we received 78 applications from over 11 countries, from which 20 productions were invited to participate.</p>
<p>The festival has been held at Barnes Crossing since its inception, but the venue is always sold out and only seats 80. We would therefore like to open up the festival to other venues in Cologne in the future &#8211; for example Depot &#8211; in order to achieve a wider reach and reach more audiences.</p>
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				<div class="et_pb_text_inner"><h2 _d-id="194">Announcement of winners</h2>
<p _d-id="209" style="margin: 0px 0px 20px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box; overflow-wrap: break-word; text-wrap: pretty; color: #292929; line-height: inherit; margin-block: 0px; margin-inline: 0px; font-family: Roboto, sans-serif; font-size: 20px; font-style: normal; font-variant-ligatures: none; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space-collapse: preserve; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"><span _d-id="2907" class="--l --r sentence_highlight" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;"> </span></p>
<p _d-id="201" style="margin: 0px 0px 20px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box; overflow-wrap: break-word; text-wrap: pretty; color: #292929; line-height: inherit; margin-block: 0px; margin-inline: 0px; font-family: Roboto, sans-serif; font-size: 20px; font-style: normal; font-variant-ligatures: none; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space-collapse: preserve; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;"><span _d-id="2909" class="--l sentence_highlight" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;"><span _d-id="2912" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">For</span> <span _d-id="2916" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">the</span> <span _d-id="2920" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">seventeenth</span> <span _d-id="2924" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">time</span><span _d-id="2927" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">,</span> <span _d-id="2931" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">BARNES</span> <span _d-id="2935" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">CROSSING</span> <span _d-id="2939" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">(</span><span _d-id="2942" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">Freiraum</span> <span _d-id="2946" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">für</span> <span _d-id="2950" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">TanzPerformanceKunst</span><span _d-id="2953" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">)</span> <span _d-id="2957" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">organized</span> <span _d-id="2961" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">the</span> <span _d-id="2965" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">international</span> <span _d-id="2969" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">dance</span> <span _d-id="2973" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">festival</span> <span _d-id="2977" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">SoloDuo</span> <span _d-id="2981" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">nrw</span> <span _d-id="2985" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">+</span> <span _d-id="2989" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">friends</span> <span _d-id="2993" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">in</span> <span _d-id="2997" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">Cologne</span> <span _d-id="3001" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">from</span> <span _d-id="3005" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">23</span><span _d-id="3008" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">&#8211;</span><span _d-id="3011" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">25</span> <span _d-id="3015" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box; --tw-bg-opacity: 1; background-color: #cfe7ff;">May</span> <span _d-id="3019" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">2025</span> <span _d-id="3023" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">in</span> <span _d-id="3027" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">cooperation</span> <span _d-id="3031" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">with</span> <span _d-id="3035" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">the</span> <span _d-id="3039" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">KunstSalonStiftung</span> <span _d-id="3043" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">and</span> <span _d-id="3047" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">the</span> <span _d-id="3051" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">Quartier</span> <span _d-id="3055" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">am</span> <span _d-id="3059" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">Hafen</span><span _d-id="3062" class="--l --r hover:bg-blue-100 hover:dark:bg-blue-600" style="margin: 0px; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(0,112,201,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000; border: 0px solid #c6c6c6; box-sizing: border-box;">.</span></span></p>
<p>&nbsp;</p>
<p>The <strong>jury Roos van Berkel</strong>, NL, Silvia Ehnis MX/D, Reut Shemesh ISR /D <strong>awarded the following prizes</strong> at the award ceremony on<br />May 15, 15:00h (see below for laudations):</p>
<p><strong></strong></p>
<p><strong><span style="color: #2ceac1;">Jury Prize:</span></strong></p>
<p>Outstanding Solo: “MISS TAKES” by Naomi Kats (ISR)<br />Outstanding Duo: &#8216;M I Я&#8217; by Darja Reznikova, Sade Mamedova, Maiia Selezneva, Gleb Bondarev (D)<br />Award-winning solo newcomer: &#8216;Johnny sieht von oben, ein Viertel&#8217; by Teresa Curotti (D)<br />Outstanding Duo Newcomer: “Aporetico”, Francesca Sacchi, Giorgia Enrico (D)<br />Outstanding actress: “NUMBER 52”, Katharina Ludwig (CH)</p>
<p><strong> </strong></p>
<p><strong>The audience has voted for the following audience prizes:</strong></p>
<p><strong>Friday, May 23, 2025:</strong></p>
<p>Duo: Sound of(f)&#8230; Movement, Opus 3, choreography/dance: Dagmar Ottmann, Christian Herrmann (D)<br />Solo: skin and shell, choreography/dance: Leonie Stöckle (D)</p>
<p><strong>Saturday, May 25, 2025:</strong></p>
<p>Solo: ISO. going to let, choreography/dance: Aleksandra Krutikova (D)<br />Duo: Sensilla, choreography/dance: Cristiana Casadio, Emmanouela Dolianiti (D)</p>
<p>&nbsp;</p>
<p>The <strong>jury prizes</strong> include a residency invitation in the studios of the Quartier am Hafen for all prize winners and the prize money is used to cover the costs of travel and accommodation.</p>
<p>The cooperation that has existed for 16 years and the associated participation/invitation of the winners to the Budapest SzólóDúo Fesztivál cannot take place this year, as the Budapest festival can no longer take place due to the cancellation of funding in Hungary.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Press photos:</strong></p>
<p><strong>Press photos can be used free of charge if the photographer&#8217;s credit is mentioned (in the file name) under the following link:</strong></p>
<p><span><a href="https://www.dropbox.com/scl/fo/0cdeww5bp7oo2hg5nv0gi/ALuMVR8yIKUTLnQ6fjDL-Tg?rlkey=25xlshbo0uxfc22v8k9l0100r&amp;dl=0"><span style="text-decoration: underline;">https://www.dropbox.com/scl/fo/0cdeww5bp7oo2hg5nv0gi/ALuMVR8yIKUTLnQ6fjDL-Tg?rlkey=25xlshbo0uxfc22v8k9l0100r&amp;dl=0</span></a></span></p>
<p><span><span style="text-decoration: underline;"></span></span></p>
<p><span style="color: #2ceac1;"><strong>Laudations Jury decision:</strong></span></p>
<ul>
<li><strong>Awarded Solo: ‘MISS TAKES’ by Naomi Kats (ISR)</strong></li>
</ul>
<p>In “MISS TAKES”, anger emerged with striking subtlety — a delicate interplay between control and fragility, toughness and softness. Naomi Kats crafted a fine understanding of timing, allowing images to accumulate slowly, like a growing shadow in the room, building tension with remarkable patience and abstraction. She created a solo that felt alive, danced, and shaped in the very moment of its becoming.</p>
<p><em>Naomi Kats is an Israeli choreographer and performer, trained at the Jerusalem Academy of Music and Dance High School and the ‘Maslool’ professional dance program. Since 2019, she has performed with various companies and choreographers in Israel and internationally, including Lotem Regev, Rachel Erdos, Ido Gidron, Yaniv Cohen, ‘Ildance’ (SE), &#8216;MAZE&#8217; (GER), ‘SUB.LAB.PRO’ (HU), and the Israeli Opera. Naomi’s choreographic work includes participation in the Suzanne Dellal Centre’s platform &#8216;1|2|3 for Emerging Choreographers.&#8217; Her first trio piece, Don&#8217;t Run with Scissors, premiered at &#8216;THE BUNCH&#8217; festival (IT) in 2023</em></p>
<p>&nbsp;</p>
<ul>
<li><strong>Awarded Duo: ‘M I </strong><strong>Я</strong><strong>’ by Darja Reznikova, Sade Mamedova, Maiia Selezneva, Gleb Bondarev (D) *</strong></li>
</ul>
<p>As they poignantly wrote: <em>“This project reflects a global issue on our social lives, our everyday encounter with ourselves and others.”</em></p>
<p>The jury is deeply moved by their ability to address the subject of war and conflict in an ambiguous and complex way, as a self-reflection. You approached the theme by courageously examining your biographies and upbringings. With a distinct movement language and a bold, punk-inspired approach to choreographic structure, you brought forth a story about yourselves — about the “ordinary people”, about the places you were born and grow up at, caught in the heart of a storm that has been forced upon you, touched your personal lives and by doing so, also ours.</p>
<p><span style="color: #000000;"><em>*</em> <em>M | </em><em>Я</em><em> (pronounced ‘MIR’) is Russian and stands for both ‘peace’ and ‘world’. The mirror-inverted R forms the last letter of the Cyrillic alphabet and means ‘I’.</em></span></p>
<p><span style="color: #000000;"><em>Darja is a Ukrainian born choreographer, dance teacher and researcher in the field of interdisciplinarity. Her company SoBo Productions works in the context of Darja&#8217;s ongoing (published) research into inter- and transdisciplinarity and is in line with her SoundBody (SoBo) theory, which explores integrative voice and movement work based on the science of sound and vibration. </em></span></p>
<p><span style="color: #000000;"><em>Sade Mamedova is a Russian born performer, choreographer and teacher based in Mannheim. She has been working as a freelancer since 2018 and has been recognised for her dance and choreography at renowned competitions and festivals around the world, including the International Choreography Competition in Copenhagen, the ICC. </em></span></p>
<p><span style="color: #000000;"><em>Maya is a dancer, choreographer and teacher in the field of contemporary dance. movement and performing arts. She graduated from Vaganova Academyn (St. Petersburg) with an MA in Choreography and has a medical degree in Psychiatry from Northern State Medical University. She studies at the NOD/ICD, the International Research Programme and the Arkhangelsk University of Arts.As a freelance dancer, she has worked with choreographers and companies such as Hea Min Jung, Alina Belyagina, James Finnemore, Naprimer Dance Company. Li Nekrasova, Tomislav English, Mualem/De Phillips Project and Third Rail Project. </em></span></p>
<p><span style="color: rgba(0, 0, 0, 0.52);"><em><span style="color: #000000;">Gleb Bondarev is an artist whose main instruments are dance and video. He graduated with a Bachelor&#8217;s degree from the Faculty of Romance and German Studies in Krasnodar, Russia, 2018-2023 he was part of the contemporary dance company &#8221; Zhest. 2020-2023 he was part of the art community* Street Physics . Gleb is experienced in urhan and contemnoran dance and videography.</span> </em></span></p>
<p><span style="color: rgba(0, 0, 0, 0.52);"> </span></p>
<ul>
<li><strong>Awarded Solo Newcomer: Johnny sees from Above, A fourth” by Teresa Curotti</strong></li>
</ul>
<p>In “ Johnny sees from Above, A fourth”, Teresa Curotti connected to the frenetic pulse of today. The performance reflected back to us a familiar state—a sensation of perpetually hovering between the current moment and whatever comes next. The solo dared to be unfiltered and skillfully incomplete, contained yet deeply expansive. The jury sees a promise of a distinctive choreographic vocabulary emerging within the paradox of anticipated physicality while remaining honest and attentive to the moment.</p>
<p><em>Teresa Curotti is an Italian choreographer and dancer. She is currently studying for an MA in Choreography at Folkwang Universität der Künste and previously completed a BA in Dance at the University of Music and Performing Arts Mannheim. Her work has been recognized at festivals such as Internationale Tanztheater Festival Erfurt, SOLOCOREOGRAFICO Frankfurt, TanzGala Baden-Württemberg and the Solo Dance Contest in Gdańsk, where she received awards and finalist placements.  </em></p>
<p><em></em></p>
<ul>
<li><strong>Awarded Duo Newcomer: “Aporetico”, Francesca Sacchi, Giorgia Enrico</strong></li>
</ul>
<p>“Aporetico” meticulously weaves space with bodies through unpredictable yet precise choreographic patterns. The duo offers invitations into their universe —through uniform-like costumes, an intimate moment under the lamp, a repeating motif with a scarf, with hands, and between the bodies. The duo emerged from a profound connection to the body, combining it with fresh compositional and cinematic curiosity.</p>
<p><em>Francesca Sacchi, born in Turin, Italy, 31.03.99, performed for Chris Jaeger in Daddy Shot My Rabbit and toured in Germany, and also danced in the film Rotes Sterne Überm Felde by Laura Laabs.year-long internship with Dart Dance Company, and holds a diploma from Opus Ballet Company,International Choreographic Center, where she also interned. Currently, guest teacher at Motion Berlin and DartDSP, specializing in creation and improvisation tools.Her daily routine includes Counter Technique, ballet, urban dance, floorwork, and improvisation. Giorgia Enrico,born in Turin, Italy, 26.03.02. Former member of Deutsche Tanzkompanie Neustrelitz where she choreographed and taught and still guest. Member of FlyingStepsCompany Berlin. Guest at CottbusTheater. Ballet and contemporary teacher at FlyingStepsAcademy. Former ballet dancer graduated from Victor Ullate and Fortea Conservatory Madrid. Her current focuse practices are contemporary,urban and martial arts. </em></p>
<p>&nbsp;</p>
<ul>
<li><strong>Awarded Performer: “NUMBER 52”, Katharina Ludwig</strong></li>
</ul>
<p>Katharina Ludwig shows great versatility as a dancer and performer. She combines different dance styles ranging from ballet to breaking, displays great qualities as a stand-up comedian and handles text well. The jury applauds her ability to deliver a strong critique towards the dance field as an industry while keeping the performance light-hearted and witty.</p>
<p><em>Katharina Ludwgi received her training at the Iwanson School of Contemporary Dance in Munich and obtained her Master’s Degree in Movement Research from the Anton Bruckner University in Linz. Based in Bern, she currently works as a freelance artist in Switzerland and internationally. Katharina has danced in engagements with Joshua Monten, Wim Vandekeybus, Simone Elliot, Emese Nagy, Sade Mamedova, Emi Miyoshi, Nunzio Impellizeri and Karolin Stächele. As a choreographer, Katharina created several short pieces which have been performed internationally. She is currently working on realizing her first evening-length production in collaboration with TANZhAUS Bern. </em></p>
<p><em></em></p>
<p><em></em></p>
<table width="511">
<tbody>
<tr>
<td width="181"><strong>Team: </strong></td>
<td width="330"></td>
</tr>
<tr>
<td width="181">Artistic direction:</td>
<td width="330">Ilona Pászthy, Gerda König</td>
</tr>
<tr>
<td width="181">Festival Assitance:</td>
<td width="330">Joanna Park, Even Wainscoat</td>
</tr>
<tr>
<td width="181">Selection panel:</td>
<td width="330">Diana Treder, Ilona Pászthy</td>
</tr>
<tr>
<td width="181">Graphics:</td>
<td width="330">miegL</td>
</tr>
<tr>
<td width="181">Jury:</td>
<td width="330">Roos van Berkel, NL | Silvia Ehnis MX/D | Reut Shemesh ISR/D</td>
</tr>
<tr>
<td width="181">Technology:</td>
<td width="330">Garlef Keßler</td>
</tr>
<tr>
<td width="181">sound engineering assistance:</td>
<td width="330">Simeon Kuhn</td>
</tr>
<tr>
<td width="181">Press and public relations</td>
<td width="330">Mechtild Tellmann</td>
</tr>
<tr>
<td width="181">Workshop management:</td>
<td width="330">Jana Griess /  Nina Patricia Hänel</td>
</tr>
<tr>
<td width="181">Photo/video documentary:</td>
<td width="330">Alessandro de Matteis</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<p><strong>Accessibility:</strong></p>
<p>Audio description: Lena Visser</p>
<p>Accessibility assistance: Emily Lenau</p>
<p>Visual communication: Alessandro de Matteis</p>
<p>PR/Accessibility: Mechtild Tellmann</p>
<p>Sign language consulting: Tom Liesenhoff</p>
<p>&nbsp;</p>
<h4>Organizer</h4>
<h4>Barnes Crossing | Freiraum für TanzPerformanceKunst im Kunstzentrum Wachsfabrik<br />Industriestraße 170<br />50999 Köln-Rodenkirchen, Germany<br /><span><a href="http://www.barnescrossing.de">www.barnescrossing.de</a></span></h4>
<p><span> </span></p>
<p><strong>Cooperations-Partner</strong> Quartier am Hafen</p>
<p><strong>Funded by</strong>: Kulturamt der Stadt Köln, KunstSalon Stiftung<span style="text-decoration: line-through;"> </span></p>
<p>&nbsp;</p>
<p><strong>Contact for press inquiries:</strong></p>
<p>Mechtild Tellmann <span><a href="mailto:kultur@mechtild-tellmann.de">kultur@mechtild-tellmann.de</a></span> / +49 171 385 7031</p>
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<p>Der Beitrag <a href="https://barnescrossing.de/en/soloduo-en/17-soloduofestival-nrw-friends-en/">17. SoloDuoFestival nrw + friends</a> erschien zuerst auf <a href="https://barnescrossing.de/en/home-english">Barnes Crossing | Freiraum für TanzPerformanceKunst in der Wachsfabrik - Köln Rodenkirchen</a>.</p>
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