Love Eat (never) Sleep

Love Eat (never) Sleep

Love Eat (never) Sleep

absence#6 – abstraction of memory

a walk-in dance installation by IPtanz

 

World premiere
4th September 2025 8 pm

further dates

05.09.2025 8 pm

06.09.2025 8 pm

07.09.2025 6 pm

TICKETS

Tickets can be purchased at https://rausgegangen.de – reservation required

 

A physical somatic introduction will take place 45 minutes before all performances on all dates – pre-registration required.

On September 4 at 7.15 pm and September 7 at 5.15 pm there will be a touch tour and audio description (in German).
Registration required. Phone +49 157 57930117

https://ip-tanz.com

 

In this walk-in installation, performers and audience share the stage space – a space that is open to anyone who wants to feel memory. A body of air pulsates, movement fragments into voices, skin and stories. What remains when places or rituals disappear, when the body becomes an archive of muscles, breath and scars in the pulse of the space.

The room – sometimes a tent, sometimes a bubble, sometimes a ruin. Look through other eyes, hear forgotten voices, be part of a fictional world that grows, turns, withdraws and not only wants to be seen, but also felt, heard and experienced.

 

DIN A13  “MYspace SAFEspace NOspace – Part 2”

DIN A13 “MYspace SAFEspace NOspace – Part 2”

DIN A13

“MYspace SAFEspace NOspace – Part 2”

 

26.09.2025, 20:00 Premiere

27.09.2025, 20:00 hrs

28.09.2025, 19:00 hrs

Premiere 2025 – Part 2 of the two-part production

“Safe Space” – a valuable protected space, an intimate bubble, a safe cosmos within the so-called “normative world”. Who shapes this space, who is allowed to use it, who is left out? DIN A 13 tanzcompany explores these questions with the two-part production “MYspace SAFEspace NOspace” – bringing performers with physical disabilities on stage with artists from the ballroom community (LGBTQ+).

Part 1 of the overall concept was realized in 2024 as an artistic intervention in public space: A mobile “Safe Space” container was positioned in various districts of Cologne. Dancers sought a performative exchange with passers-by and local residents. They reacted in very different ways: curious, irritated, hostile and even aggressive. These encounters gave rise to new choreographic impulses, which will now be explored in greater depth in part 2, the stage version.

Part 2 premieres in September 2025 and develops the performative experiences from the public space further – now within a changeable, non-classical stage space that is in constant motion.

Three protagonists personally invite the audience to become part of these spaces – or separate them from the close-up insights they have just gained. The production questions the concepts of closeness and distance, privacy and publicity – and shows how fragile and permeable the boundaries of “safe spaces” can be.

Encounter and demarcation, intimacy and irritation alternate. The dynamic between the performers and the audience creates a dense, immersive experience that is constantly being reconstituted. An interplay of exclusive inclusions and the exclusions that accompany them.

Participants:
Artistic direction & choreography: Gerda König (D)
Co-choreography: Charlotte Virgile (F)
Dramaturgy: Marje Hirvonen (FIN)
Performance: Danjel Sesar (D), David Mendez (D), Sophia Hankings-Evans (D)
Stage design: Lea Dietrich (D)
Costume: Monika Odenthal (D)
Music: Frank Schulte (D)
Film documentation: Gerhard Schick (D)
Lighting design: Marco Wehrspann (D)
Homepage: Andrea Hoffmann (D)
Press and public relations: Neurohr & Andrä (D)
Social media and financial management: John Herman (D)
Creative Producer: Anastasia Olfert (D)

Supported by:
Ministry of Culture and Science of the State of North Rhine-Westphalia, Kunststiftung NRW, Fonds Darstellende Künste, Kämpgen-Stiftung.
DIN A 13 tanzcompany receives top-level funding from the state of NRW.

About DIN A 13 tanzcompany
DIN A 13 tanzcompany is one of the few dance ensembles internationally whose members are made up of dancers with and without physical disabilities. Since 1995, DIN A 13 tanzcompany and its artistic director and choreographer Gerda König, in artistic collaboration with choreographer Gitta Roser from 1999 to 2020, have been enriching the dance world with new aesthetic categories that continually challenge and question the usual ways of seeing contemporary dance. Presumed boundaries and evaluations between physical characteristics and top dance performance are dissolved in choreographic images that provocatively pose questions and invite artistic dialog.
The focus of the artistic work is on the exploration and visualization of the movement quality of “other bodies”, which is used in its diversity for the choreographic work, expanding it and thereby enriching the spectrum of contemporary dance.
www.din-a13.de/en

Veranstaltungsbild
IPtanz “lautLOS 1.6”

IPtanz “lautLOS 1.6”

IPtanz

“lautLOS 1.6”
June 15th 2025, 06:00 pm

 

A multimedia dance installation by IPtanz with two solos by Silvia Ehnis Pérez Duarte and Ilona Pászthy from absence#5 – deconstruction of memory.

In the beginning there is silence. The past loses its clarity, is reinterpreted and becomes a new reality. What significance does the legacy we carry within us from previous generations have—historically, humanly, genetically, psychologically? How do life paths and historical positioning change in the mixing of cultures, and what do blind spots in the past mean in the present?

In their solo works, Silvia Ehnis Pérez Duarte and Ilona Pászthy offer choreographic insights against the backdrop of personal family histories. The result is an atmospheric kaleidoscope in which the audience can determine their own perspective in the space and constantly search for new ones.

The artists will be available for a discussion with the audience after the performance. can determine for themselves and constantly seek anew.

A physical-somatic introduction will take place 45 minutes before the start of the performance.

 

 

 

Choreography Ilona Pászthy, Silvia Ehnis Pérez Duarte

Dance Ilona Pászthy, Silvia Ehnis Pérez Duarte

Scenography/Graphics miegL

Animation Anna Mahendra

Music Zsolt Varga

Narrator Suzanne Zielenbach

Lighting design Mirko Krejči

 

 

Tickets €16 / €10 reduced

Ticket reservations: karten@ip-tanz.com or 0157-56403320

Further information at www.ip-tanz.com

Dancer in black outfit lying stretched out on the floor of a dark stage
Teatro 4Garoupas “BLOOOM” Preview

Teatro 4Garoupas “BLOOOM” Preview

Teatro 4Garoupas

“BLOOOM” Preview

Dance theater for the whole family (for children aged 5 and up)

03rd May and 04th May 2025, 04:00 pm

BLOOOM – a new production by Teatro 4Garoupas

A poetic fairy tale about growing up and the big questions in life.

Gargardenia can’t take it anymore! The adults are constantly whispering in her ear: “My little plant,
my little flower, my little rose” – animal names that are usually followed by swear words, insults or other unkind remarks. She begins to feel like the potted plants that are scattered everywhere.
How do they do it? They grow – and sometimes they even bloom – even without proper nourishment!

Today she dares to venture out into nature, which until now has meant nothing but dirt, mud and wet feet.
And there… Nature, nature: pure boredom. But in the great outdoors she makes some truly astonishing discoveries. But don’t just take our word for it, see for yourself!

Admission: children 6,- € / adults 10,- €

CREATIVE TEAM
Choreography: Andreas Denk & Eugenia Labuhn
Dramaturgy: Arno Kleinofen

GARGADENIA GARAGENIA: Eugênia Labuhn
Creative production: Bebê de Soares
Duration: 40min
Age: 5+
Photos: @sanchesphotography
Videos: Jack Sticka
Production: Teatro 4Garoupas

S. Rudat und A. „Greco“ Anastasiadis: „screaming starfish“ SHOWING

S. Rudat und A. „Greco“ Anastasiadis: „screaming starfish“ SHOWING

S. Rudat und A. „Greco“ Anastasiadis

“screaming starfish” – Showing

 

May 9th 2025, 7:30 p.m.

 

A physical theater research that examines bodies and voices for their extremes, their capacity for contact, for joy, for excess, for listening and trust. An exploration of how impulses flow together in the body and voice and how what concerns us makes its way through them. A poetic-physical treatise on what happens in the world, who we are in it and what we want. Two animals that are human.

Admission: free

WOLKENSTEIN Theater  “PARTI! bei Eule und Waschbär”

WOLKENSTEIN Theater “PARTI! bei Eule und Waschbär”

WOLKENSTEIN Theater “PARTI! bei Eule und Waschbär”

Theater with music
for children from 4 years

May 18th 2025, 03:00 p.m.

Info and reservation: 0163 – 9719837 or post@wolkenstein-theater.de

 

Most of the time, Willi the raccoon and Laila the owl are very comfortable in their forest home, and they have been good friends for a long time.
And yet there’s always something to decide all day long: who gets to play the drum, that’s my apple, where are the wellies again, stop strumming, is there lunch now, you don’t know what you want anyway, but you already had the little guitar yesterday and you always know everything better…
Laila and Willi find joy in their own voices and self-determination between not-right-at-all and right-at-all. And, of course, they find out how to make decisions together.

Summarized in adult language:
Owl and Raccoon play around the children’s right to participation and use lots of music and humor to educate daycare children about democracy.

Supported by NRW Landesbüro FDK, NRW Ministry of Culture, Cologne Cultural Office and the Victor Rolff Foundation.